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Nick Heyward was born in Beckenham, Kent, on May 20th 1961. On leaving Kelsey Park School in 1977, he went to work as a commercial artist, but he had dreams of becoming a pop star. “I got into music because my girlfriend chucked me and because of Paul McCartney's beard when he sung in 'Let It Be',” Nick told Paul Gorman in Music Week in 1995. And soon, Heyward and his friends were ditching names such as Boat Party and Captain Pennyworth left, right and centre and became Haircut 100.
They played the pop game perfectly, tucking their Aran jumpers into their trousers, riding the post-new romantic funk wave, marrying Chic with the Monkees and opening their shows with a blistering cover of Low Rider by War. Haircut 100 burnt briefly and brightly – the ultimate group of pals who, within a year, had hit the big time. It finished as quickly as it began; the band parted ways and Nick’s first solo album, North Of A Miracle, was released in September 1983.
North Of A Miracle set out his stall; a production masterpiece by Beatles engineer Geoff Emerick (XTC had initially wanted to produce Heyward), it contained heavyweight session players; Uncut were to say retrospectively that “If Elvis Costello had released this album, it might just feature in the lower reaches of those lists of all-time greats.”
Nick’s career continued through the next decade and a half – supporting Wham! at Wembley at their farewell shows; shaving his moustache off on live TV; releasing charming records, of which his first two of the nineties From Monday To Sunday and Tangled chimed with Britpop. He played the record company game across the years – and he has great experience of major labels and sizeable Indies; Arista, Warner and Sony have all sought him out; when Alan McGee was flush with Oasis cash in the late 90s and wanted to sign his personal favourites, Nick Heyward was at the top of that list, and 1998’s The Apple Bed was released on Creation.